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 cosi

Cosi by Louis Nowra

Tantrum + Civic theatre

Lewis has dreams of being a director and when he is offered a job putting on his first production he jumps at the opportunity. There’s one hitch, his cast is a group of mental patients who have their own ideas about what they want to do.

Think opera, think pyromaniacs, think the bringing together of outcasts to create the show that will change their lives, forever.

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We Came in Chains by TANTRUM Theatre

Tantrum + The Hunter Singers + Newcastle Region Maritime Museum
Performers aged 10– 18

We Came in Chains rakes through the bones of Newcastle’s past to raise our forgotten ghosts and recreate our convict history.

It tells the story of young convict children forced to leave their homes for an uncertain life in a hellish penal colony. No ship, no gaol, no lumber yard story will remain unearthed to tell this tale of woe, injustice, triumph and freedom. It is beautifully woven together with traditional folk songs and a haunting sound scape created live by The Hunter Singers.

The Hunter Singers have performed with leading international artists, including Daniel Johns and Paul Mac of the Disassociatives.

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Riot! by Nantsou, Bates, Brown, Gava

In late 2005, a race riot erupted on Sydney’s Cronulla beach.
Closer to home, a gathering of neo-Nazis converged on Newcastle’s own Islington Park.
These events sent shock waves across the land of the ‘fair go’.

Combining story telling, hip hop music and contemporary writing, TANTRUM Theatre invites three of Australia’s finest playwrights to collaborate with Newcastle’s leading young performers and MC’s. Together they explore the insidious forces behind these violent events and contemplate their impact on our community and our nation.
This is new theatre at its best, delving into the underbelly of our collective psyche, holding a mirror up to ourselves to show us as we really are. These are stories for adults, told candidly, with humour and in a fresh and modern style. They will challenge, excite and inspire you. They will remind you of the power of live theatre.

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Jodie Le Vesconte and Chris Sommers
Photo by Daryl Charles
 

Hoods by Angela Betzien

Commissioned by Sydney Opera House and Regional Arts Victoria. Supported by the RE Trust

KYLE:    Wish I was an Xbox wish I was.
JESSIE:  Wish I was a Barbie Princess wish I was.

From the creators of Children of the Black Skirt comes a contemporary tale of Hansel and Gretel as told by two Hoods.

Two Hoods ride the train each night to a wrecking yard on the outskirts of the city. Here, in this cemetery of stories, they are storytellers with the power to fast forward, pause and rewind. Tonight, they tell the story of three kids left in a car.

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Powerforce Live by TANTRUM Theatre

Performing Arts Newcastle, Newcastle, 2006

Australia 2040. A draught of biblical proportions cripples Australia, which has officially run out of drinking water.

In Australia one man, Mr Green, controls the complete supply of water to the public. Families receive their ration of one bucket a week. But is this really the only water available to Australians or is Mr Green secretly draining the world dry for his own profit?  It’s a conspiracy story to end all conspiracy stories.

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Savage Naked Love by TANTRUM Theatre

Honeysuckle Workshops, Newcastle, 2006

Savage Naked Love is a dark comedy about two teenage girls, Jasmine and Sophie, and their struggle for popularity. Jasmine is publicly humiliated after spiteful rumours spread that she has a sexually transmitted disease (STD). Embarrassed and humiliated, she is forced to leave school. Sophie, a naïve young woman from a protective family, finds herself caught in the middle of this battle as her own awakening to the world of attraction and boys begins.

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Barbara Lowing, Helen Howard, Jodie Le Vesconte

The Memory of Water by Shelagh Stephenson

QPAT Playhouse, Queensland Theatre Company, Brisbane 2005

Three sisters are reunited on the eve of their mother’s funeral. They quickly slip into their old patterns of pretty bickering and blistering put-downs. As the memories of their past are conjured up, adult insecurities, regrets and fears resurface.

Winner of London’s prized Oliver Award (Best Comedy, 2000), Shelagh Stephenson’s The Memory of Water is one of those gems that remind us that theatre is, above all else, a place of the heart.

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Andrew Barclay, Rebecca Roberts, Shideh Feramand

The Taming of the Shrew by William Shakespeare

Queens Park, USQ Shakespeare Festival in the Park, Toowoomba, 2005

A rich Paduan merchant has two daughters - the gentle, lovable Bianca, and the razor-tongued Katharina. And though Bianca has several suitors, she may not marry until the elder Kate has found a husband. When the boorish Petruchio announces his willingness to marry any woman with a large enough dowry, Bianca's dilemma seems to be solved. But is it possible Petruchio has met his match in the wild Kate?

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Emily Tomlins and Carol Burns
Photo by Stephen Henry
 

Far Away by Caryl Churchill

Billie Brown Studio , Queensland Theatre Company, Brisbane 2004

Churchill’s short, sharp masterpiece shows us the world as it is discovered by Joan. As she grows from child, to young woman, to wife, we are introduced to a strange world filled with fear, where the difference between right and wrong has become clouded, and no one knows who or even what can be trusted any more. 

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Leticia Caceres and Lucas Stibbard
Photo by Stephen Henry

 

Constance Drinkwater and the Final Days of Somerset by Stephen Carlton (reading)

The Works, Billie Brown Studio , Queensland Theatre Company, Brisbane 2004

1899, in the remote Cape York outpost of Somerset, Lady Constance Drinkwater faces the terrible consequences of her late husband's actions in a truly bizarre twist that heightens this one woman's increasingly desperate circumstances.

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Jodie Le Vesconte and Janinie Matthews.
Photo by Stephen Henry

Children of the Black Skirt

Auspiced by Queensland Theatre Company.

Queensland Arts Council tours, Come Out Festival Adelaide, Sydney Opera House, RAV Regional Tour 2003-2005.

Three lost children stumble across an abandoned orphanage in the bush. They become trapped in a timeless world, haunted by spirits from the past. They are tormented, too, by the Black Skirt, a cruel governess who floats up and down the orphanage corridors wielding enormous scissors. But as the stories of these forgotten children are told— from pick pocketing incidents in the eighteenth century to the tragedies of the Stolen Generations in the twentieth— their spirits are released, one by one.

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the orphanage project

Kellie Lazarus, Fiona Doyle and Mark Connaghan Photo by Stephen Henry

The Orphanage Project

Billie Brown Studio, Queensland Theatre Company, Brisbane 2003

The Orphanage Project is an epic gothic fairytale, told in a mythical, timeless Australian orphanage.

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the kingswood kids

Laurel Collins and Marc Richards
Photo by Sue Goodwin

Kingswood Kids

La Boite Theatre Energex Brisbane Festival, Brisbane 2002

It’s Friday, KFC night and the last days of school before Christmas. Kyle, Jessie and baby brother Troy are waiting in the car for their mum. Kyle broods in the front seat with visions of Sony Play Station dancing in his head while Jessie begs him for a game of eye spy and a trip to the toilet to pee. As night closes in, the shopping centre shuts down, their mum still hasn’t come and the baby just won’t stop crying.

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princess of suburbia

Jodie Le Vesconte
Photo by Suzi Fuks

Princess of Suburbia

Magdalena Australia, Visy Theatre, Powerhouse, Brisbane 2003

A woman is alone in deep suburbia. In her state of depression she finds companionship in talk back TV. The woman is burdened by a recurring memory of the day her daughter did something appalling at a child beauty competition.

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the suitcase

Marc Richards, Marcel Dorney and Laurel Collins. Photo Christopher Totten

The Suitcase

Stage x Youth Festival, QPAC, Brisbane 2001

Maude is a pensioner who lives alone in her home with only the company of her memories which play round and round in her head like an old record. When the woman dies alone, her body decomposes and is partly eaten by her own cat. When a young addict breaks into Maudes house looking for shelter, a brief connection is made between the world of the living and the dead.

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the suitcase

Dags, QUT.

Dags by Debra Oswald

Woodward Theatre, QUT, Brisbane 2001

Dags looks at the trials of adolescence: pimples, heart ache and self discovery.

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